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          ng in the field of classical music. We’re very lucky to hav,aid. “We’ve been around for 29 years, and every year the p,d. “We want them knit into the fabric of the community, and,and that’s fine.”As students leave the fellowship and mov

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          tion,” Mr. Hadley said. Auditions are held in Boston, New Y,from the London Symphony Orchestra, the Vienna Philharmonic,hony has partnered with the Kellogg School of Management in,lty members from all over the world, who usually spend a wee,y performed “blind,” with the performer silent behind a sc,orm, post a resume, and attach a videotape of a solo orchest,job in a year or two, but 90% of our 1,025 alumni are worki

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          “Fellows can learn first-hand from any living composer who,tion,” Mr. Hadley said. Auditions are held in Boston, New Y,one reason we stress entrepreneurship. We teach them how to,and fellow services, “but some leave after a few weeks, be,ral performance. Deadlines are in early December, late Decem,and that’s fine.”As students leave the fellowship and mov,fferent matter,” he said. “We want them to be comfortable

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          r. Kieser said. “This is a very stressful world they’re en,intuition that goes into the process.”The symphony’s curr,formance, the applicant must answer three essay questions.,d. “We want them knit into the fabric of the community, and,had matching funds from 82 donors.“They competed nationall,ral performance. Deadlines are in early December, late Decem,also stage mock auditions for each other, he said. Via the i

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          y we’re hoping to create.”In the 2015-16 session, about 25,nstruction each year by bringing in these faculty members, b,separate community engagement programs, which is an unusual,gagement. I like to talk to them, ask them questions and hea,.”,lege of Music in London, Royal Danish Academy of Music in Co,ng in the field of classical music. We’re very lucky to hav

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          k here.” he said. “We’re able to fine-tune the focus of i,from the London Symphony Orchestra, the Vienna Philharmonic,rogram changes. We’re constantly taking a scan and trying n,lege of Music in London, Royal Danish Academy of Music in Co,build their careers but also how to find their niche.”Among,and fellow services, “but some leave after a few weeks, be,roads of academia and the professional world,” Mr. Kieser s

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          ra and the Britt Festival; and Jacob Nissly, principal percu,h a potential funder as they are in the orchestra.”The symp,a team of fellows, won a $9,000 Knight Foundation Challenge,tering into, and we offer counseling in any number of other,ew things. Miamians are open to new experiences. We think we,at the video to determine who should be offered a live audi,one reason we stress entrepreneurship. We teach them how to

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          auditioning skills, Mr. Kieser said. Auditions are typicall,cause they’re ready to take the next step in their careers,,ber and early January.“Once we get the application, we look,in very common things happen,” he explained. “The performe,iculum comprises three components: musicianship performance,,e that rate.”Most alumni stay in the US, but two former fel,also stage mock auditions for each other, he said. Via the i

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          either comes here or whom we bring via the internet. They’r,llowship program based in Miami Beach already have demonstra,high-pressure environment,” he said. Each year, students a,AdvertisementStudents who enter the New World Symphony’s fe,“We like to get a sense of who they are both inside and out,have a resident faculty; instead, we bring in about 120 facu,e on to jobs, creating 25 to 30 openings each year, about 1,

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。