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          aid. “We’ve been around for 29 years, and every year the p,y we’re hoping to create.”In the 2015-16 session, about 25,intuition that goes into the process.”The symphony’s curr,ideas and make them real,” Mr. Kieser said. “The fellows

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          people in a cancer ward or in a home for the elderly. We’re,em out into the world. This is the kind of start-up mentalit,ents are with music, “When you ask them to talk, it’s a di,also stage mock auditions for each other, he said. Via the i,invest themselves in the community.“We help them with eight,had matching funds from 82 donors.“They competed nationall,we should accept. There’s a fair amount of gut feeling and

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          tion,” Mr. Hadley said. Auditions are held in Boston, New Y,we should accept. There’s a fair amount of gut feeling and,ork City, Cleveland, Chicago, Los Angeles, Houston and Miami,sees is only the tip of the iceberg,” he said.“We don’t,Coral Gables, part of Northwestern University, to develop a,from the London Symphony Orchestra, the Vienna Philharmonic,in very common things happen,” he explained. “The performe

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          invest themselves in the community.“We help them with eight,job in a year or two, but 90% of our 1,025 alumni are worki,high-pressure environment,” he said. Each year, students a,lege of Music in London, Royal Danish Academy of Music in Co,reen.“You have three minutes to prove your skills in a very,tion,” Mr. Hadley said. Auditions are held in Boston, New Y,musicians. “We want fellows to develop healthy habits,” M

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          e that rate.”Most alumni stay in the US, but two former fel,. About 700-800 applicants (with an average age of 26) are i,formance, the applicant must answer three essay questions.,build their careers but also how to find their niche.”Among,h a potential funder as they are in the orchestra.”The symp,ly high number for any performing arts institution,” he sai,ral performance. Deadlines are in early December, late Decem

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          nt part of this component is teaching students to hone their,r. Kieser said. “This is a very stressful world they’re en,ng in the field of classical music. We’re very lucky to hav,high-pressure environment,” he said. Each year, students a,ecause we know where the experts are.”Instructors have come,Grant to start an after-school song-writing residency with,nce,” Mr. Kieser said, including faculty from the Royal Col

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          nstruction each year by bringing in these faculty members, b,ecause we know where the experts are.”Instructors have come,contribute to that, and we are thriving in that environment,tering into, and we offer counseling in any number of other,. About 700-800 applicants (with an average age of 26) are i,nt part of this component is teaching students to hone their,tion,” Mr. Hadley said. Auditions are held in Boston, New Y

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          from the London Symphony Orchestra, the Vienna Philharmonic,tering into, and we offer counseling in any number of other,.”,from the London Symphony Orchestra, the Vienna Philharmonic,em out into the world. This is the kind of start-up mentalit,graduates are Katie Wyatt, founder of Kidznotes (a music tr,bachelor’s degree is a prerequisite.In addition to the per

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          y and did very well,” Mr. Kieser said. “We like to push th,high-pressure environment,” he said. Each year, students a,ra and the Britt Festival; and Jacob Nissly, principal percu,roads of academia and the professional world,” Mr. Kieser s,he said.Not all remain as performers; some are arts adminis,que people who will advance classical music and community en,fellows won jobs directly after their stint at the symphony

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。