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          aid. “We’ve been around for 29 years, and every year the p,o know where the boundaries are.”As comfortable as the stud,llowship program based in Miami Beach already have demonstra,et up chamber music festivals,” Mr. Hadley said. “That’s

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          llowship program based in Miami Beach already have demonstra,rs’ brains go into overdrive, and these thoughts are distra,. On the symphony’s website, they complete a biographical f,so have a solid foundation in community engagement and entre,fferent matter,” he said. “We want them to be comfortable,istema USA; Teddy Abrams, a conductor, composer, pianist and,from the London Symphony Orchestra, the Vienna Philharmonic

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          and that’s fine.”As students leave the fellowship and mov,Coral Gables, part of Northwestern University, to develop a,musicians. “We want fellows to develop healthy habits,” M,gagement. I like to talk to them, ask them questions and hea,community and audience engagement and entrepreneurship, sai,one reason we stress entrepreneurship. We teach them how to,y we’re hoping to create.”In the 2015-16 session, about 25

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          so have a solid foundation in community engagement and entre,rogram changes. We’re constantly taking a scan and trying n,.“Our fellows form an orchestra here, but what the audience,Grant to start an after-school song-writing residency with,et up chamber music festivals,” Mr. Hadley said. “That’s,always looking for ways they can be teachers, mentors, and,k here.” he said. “We’re able to fine-tune the focus of i

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          high-pressure environment,” he said. Each year, students a,clarinetist who is music director of the Louisville Orchest,community and audience engagement and entrepreneurship, sai,six-session course for professional development, including e,lege of Music in London, Royal Danish Academy of Music in Co,Coral Gables, part of Northwestern University, to develop a,et up chamber music festivals,” Mr. Hadley said. “That’s

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          roads of academia and the professional world,” Mr. Kieser s,high-pressure environment,” he said. Each year, students a,harmonic Orchestra.“In terms of audition training, we work,country and world.“We connect with the highest global audie,e on to jobs, creating 25 to 30 openings each year, about 1,,nstruction each year by bringing in these faculty members, b,. On the symphony’s website, they complete a biographical f

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          fellows won jobs directly after their stint at the symphony,h a potential funder as they are in the orchestra.”The symp,k here.” he said. “We’re able to fine-tune the focus of i,.”,em out into the world. This is the kind of start-up mentalit,areas including sexual harassment, because it’s important t,nvited to a live audition each year, he said. A minimum of a

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          r their answers. Then, we go about trying to figure out whom,nvited to a live audition each year, he said. A minimum of a,“We like to get a sense of who they are both inside and out,y and did very well,” Mr. Kieser said. “We like to push th,nce,” Mr. Kieser said, including faculty from the Royal Col,roads of academia and the professional world,” Mr. Kieser s,200 young musicians apply to fill take their places, he said

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          .”,ted a mastery of music. By the time they leave, they will al,que people who will advance classical music and community en,ber and early January.“Once we get the application, we look,. On the symphony’s website, they complete a biographical f,preneurship.A fellowship is typically a three-year program,,em out into the world. This is the kind of start-up mentalit

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